The day after Acis closed Jeannette and I left for a week in Rome. This was partially in an effort to get Acis out of our systems (we all loved it too much!) while helping us to focus on OA’s next production – the North American premiere on period instruments of Mozart’s La Clemenza di Tito. The production will reflect the aesthetic of Ancient Rome and Baroque Rome coupled with a modern sensibility which only someone as sophisticated as designer Gerard Gauci could give us.
For the first time in our lives, we shared our holiday with a dear … Read more
Comments Off on A beautiful show, beautiful performers, beautiful music…what more could we ask for?
Acis is up and running and it has surpassed all of our expectations – a beautiful show, beautiful performers, beautiful music…what more could we ask for? One of our dancers (Jeremy Nasmith) has put together some video clips of some of our final rehearsals prior to our move into the theatre. You can check them out here. If you’d like to get an idea of what the real show looks like with all the bells and whistles go to http://www.torontowide.com as usual Doug Brown has done spectacular job shooting and editing excerpts from dress rehearsal.
The voices are beautiful and the music so beautiful that you don’t want the songs to end. The singer/actors look the part of divine lovers and act their roles so convincingly that you will be truly moved by their plight. Even the monster is portrayed with enough complexity (mostly through the gorgeous music that pours out of his ‘ugly’ mouth . . . he’s actually as gorgeous as the rest of the cast, so it’s difficult to hide that!) that you almost feel sorry for the poor brute. The music is melodious and highly reminiscent of Handel’s Messiah in some … Read more
Yesterday evening we actually ran Acis and Galatea for the first time – taking two and a half hours to gradually make our way through the entire show. Acis is of course less than two hours long, but we had allowed ourselves plenty of time to straighten out entrances and exits, deal with inevitable collisions etc. Happily, we were all delighted with the results and went home feeling exhausted and invigorated at the same time. Normally I would be concerned to be running a show this early in the game – considering we still have two weeks before opening, but … Read more
The dancers have joined us and as always, their presence adds a whole new element of excitement for all of us. Suddenly, the singers have context for a great deal of the staging I have given them – and the dancers in turn have real people to relate to rather than music stands, dance bags etc. standing in for sopranos, tenors and basses. Inevitably, there are collisions and traffic problems when arias and choruses which involve all artists are assembled for the first time – but this is part of what makes our rehearsals so much fun and so rewarding. … Read more